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The Social History of Smoking

George Latimer Apperson

Chapter 5:

These seventeenth-century pipes were largely made in Holland of pipe-clay imported from England—to the disgust and loss of English pipe-makers. In 1663 the Company of tobacco-Pipe Makers petitioned Parliament "to forbid the export of tobacco pipe clay, since by the manufacture of pipes in Holland their trade is much damaged." Further, they asked for "the confirmation of their charter of government so as to empower them to regulate abuses, as many persons engage in the trade without licence." The Company's request was granted; but in the next year they again found it necessary to come to Parliament, showing "the great improvement in their trade since their incorporation, 17 James I, and their threatened ruin because cooks, bakers, and ale-house keepers and others make pipes, but so unskilfully that they are brought into disesteem; they request to be comprehended in the Statute of Labourers of 5 Elizabeth, so that none may follow the trade who have not been apprentices seven years."

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The Social History of Smoking

George Latimer Apperson

Chapter 13:

The ballads of the period abound in rough woodcuts in which tavern scenes are often figured, wherein pewter pots and tobacco-pipes are shown lying on the table or in the hands or at the mouths of the male carousers. Men and women are figured together, but it would be very hard to find a woman in one of these rough cuts with a pipe in her hand or at her mouth. An example, in the "Shirburn Ballads" lies before me. The cut, which is very rough, heads a bacchanalian ballad characteristic of the Elizabethan period, called "A Knotte of Good Fellows," and beginning:

Come hither, mine host, come hither!
Come hither, mine host, come hither!
I pray thee, mine host,
Give us a pot and a tost,
And let us drinke all together.

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